CompanyPandora Icon Boards' craftsmanship and his work in traditional preparation of wooden panels and boards for iconographers and artists is invaluable for Orthodox Christians and numerous churches that practice and use iconography in their liturgical life.
In America, there are very few specialists who know how to prepare the wooden boards on which icons are painted. It is a craft that requires special skills and techniques that are passed on from generation to generation of specially prepared and trained craftsmen.
Quality and craftsmanship that were developed by producing thousands of traditional icon panels and timely and courteous service is a guarantee.
The Technique of Icon Board preparation.
Panels for icons are made of solid wood, usually poplar. Solid oak struts are inserted in grooves cut into the back of each panel, across the gain to retard warping. Most panels are constructed with raised borders on the surface of the icon, which also counteract warping as well as helping to define the icon spatially.
A complex panel preparation is required for proper and permanent adhesion of the paint. The panel is saturated with two coats of hot rabbit glue, which penetrates the fibers of the wood. A piece of linen cloth, cut slightly larger than the panel itself, is soaked in the hot glue and carefully applied to the panel and allowed to dry. The dried, linen-covered panel is then covered with two more coats of the hot hide glue, to which has been added a small amount of powdered marble to give it more "tooth" and substance.
After drying overnight, the panel is ready for painting with multiple coats of gesso, a white, plaster-like preparation made of marble dust, water and hide glue. The gesso, when gently heated, has the consistency of heavy cream, and when brushed on the board in thin layers, dries to a hard, permanent surface. The first few coats are applied and rubbed by the linen. Thin coats of gesso follow, one after another, and when done 10 to 12 thin coats of gesso create an extremely durable surface.